ARTISTIC & CREATIVE TEAM

Susanna Gellert - Director
Emma Weiss - Music Director
Felicity Stiverson - Choreographer
Jeremy Yaddaw - Music Coordinator
* Michele A. Kay - Production Stage Manager
* Laura C. Nelson - Assistant Stage Manager
Sadie Aiken - Production Assistant
Frank Oliva - Set Designer
Jessica Crawford - Costume Designer
Scott Zielinski - Lighting Designer
Lee Kinney - Sound Designer
Lauren Kiele DeLeon - Intimacy Director
Michael Seltzer - Dance Captain
Jacob Brandt - Music Captain
JZ Casting - Casting Director

CAST

* Matt Rodin - Berger
John Coyne - Claude
—Claude was played by *Nathan Salstone from August July 20 - Aug 8
* Jamari Johnson Williams - Hud
* Easton Michaels - Woof
* Cameron Anika Hill - Dionne
* Alanna Saunders - Sheila
* Megumi Nakamura - Jeanie
* Michael Seltzer - Margaret Meade
* Jacob Brandt - Hubert
Emma Diner - Crissy
Nile Andah, Tommy Bergeron, Anthony Bologna, Bryanna Cuthill, Eli Hamilton, Tomias Robinson, Ana Laura Santana, Nadia Wilemski - Ensemble

*Member Actors’ Equity Association

BAND

Liz Faure - Electric Guitar
Caleb Pringle - Electric Bass
Emma Weiss - Keyboard
Jeremy Yaddaw - Drum Set

JULY 20 - AUGUST 13 | The Playhouse

HAIR

Book & Lyrics by Gerome Ragni and James Rado
Music by Galt MacDermot

Directed by Susanna Gellert

MASKS & PROOF OF VACCINATION REQUIRED
Content Advisory: This production contains Nudity, Sexual Situations, Adult Humor & Content, Strobe Effects & Other Intense Lighting, Extended Periods of Darkness, Theatrical Fog/Haze, and Loud Sounds.

Let the sunshine in! Celebrate the summer of love with a group of young Americans ready to create a world of harmony and understanding. For the first time ever, this legendary rock musical bursts onto the Playhouse stage with its Grammy-Award winning score, which includes celebratory hits such as “Good Morning, Starshine,” “Manchester, England,” and “Aquarius”. Open your heart and let it shine!

“Hair is more than just a musical: it is a social and cultural phenomenon, a jubilant assertion of life and freedom and a cry of protest...a vibrant, joyous piece of living theatre.”
—The Guardian